
Chair (Sgabello)
Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497) (d. 1497)
ca. 1489–91 · Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
201 ms. The Metropolitan Museum of Art, Collection API (Open Access)
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 24 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Chair (Sgabello)
Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497) (d. 1497)
ca. 1489–91 · Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint
Cleared · Public Domain
live
Hip-joint armchair (sillón de cadera or jamuga)
Unrecorded maker
ca. 1480–1500 · Walnut and elm, partly veneered and inlaid with different woods, ivory, bone (camel?) and pewter; covered in silk velvet not original to the armchair
Cleared · Public Domain
live
Chair seat cover
Unrecorded maker
1725–50 · Cotton, painted resist and mordant, dyed, with overpainting
Cleared · Public Domain
live
Writing table
Roger Vandercruse, called Lacroix (d. 1799)
ca. 1760–70 · Oak, veneered with rosewood, endcut kingwood, banding of holly, gilt-bronze
Cleared · Public Domain
live
Harmonium
Victor and Auguste Mustel
after 1886 · Wood, various materials
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6
Rudolph Ackermann, London (d. 1832)
July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clarinet in C
John Ashton Sr.
1820–44 · Wood, brass, ivory
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Félix Vallotton, Biographie
Julius Meier-Graefe (d. 1935)
1898 · Illustrations: woodcuts and photo-reproductions of woodcuts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thonet Stahlrohrmöbel
Thonet-Mundus-J. & J. Kohn GmbH
between 1923 and 1938
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"B-167-3" Chair
Pierre Paulin (d. 2009)
1959 · Tubular steel, rubber, foam rubber, acryl, and Lycra reupholstery
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"B-167-3" Ottoman
Pierre Paulin (d. 2009)
1959 · Tubular steel, rubber, foam rubber and acryl and lycra re-upholstery.
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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