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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    201 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    339 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for ""B-167-3" Chair"12 records

Institutions answered newest-first by record, interleaved

Chair (Sgabello) by Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497), The Metropolitan Museum of Art

Chair (Sgabello)

Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497) (d. 1497)

ca. 1489–91 · Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint

Cleared · Public Domain

live
The MetSimilar
Hip-joint armchair (sillón de cadera or jamuga) by an unrecorded maker, The Metropolitan Museum of Art

Hip-joint armchair (sillón de cadera or jamuga)

Unrecorded maker

ca. 1480–1500 · Walnut and elm, partly veneered and inlaid with different woods, ivory, bone (camel?) and pewter; covered in silk velvet not original to the armchair

Cleared · Public Domain

live
The MetSimilar
Chair seat cover by an unrecorded maker, The Metropolitan Museum of Art

Chair seat cover

Unrecorded maker

1725–50 · Cotton, painted resist and mordant, dyed, with overpainting

Cleared · Public Domain

live
The MetSimilar
Writing table by Roger Vandercruse, called Lacroix, The Metropolitan Museum of Art

Writing table

Roger Vandercruse, called Lacroix (d. 1799)

ca. 1760–70 · Oak, veneered with rosewood, endcut kingwood, banding of holly, gilt-bronze

Cleared · Public Domain

live
The MetSimilar
Harmonium by Victor and Auguste Mustel, The Metropolitan Museum of Art

Harmonium

Victor and Auguste Mustel

after 1886 · Wood, various materials

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6

Rudolph Ackermann, London (d. 1832)

July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Clarinet in C

John Ashton Sr.

1820–44 · Wood, brass, ivory

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Félix Vallotton, Biographie

Julius Meier-Graefe (d. 1935)

1898 · Illustrations: woodcuts and photo-reproductions of woodcuts

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Thonet Stahlrohrmöbel

Thonet-Mundus-J. & J. Kohn GmbH

between 1923 and 1938

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"B-167-3" Chair

Pierre Paulin (d. 2009)

1959 · Tubular steel, rubber, foam rubber, acryl, and Lycra reupholstery

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"B-167-3" Ottoman

Pierre Paulin (d. 2009)

1959 · Tubular steel, rubber, foam rubber and acryl and lycra re-upholstery.

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.