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Published terms, not adviceWhose copyright term applies

OpenPlate multiplies one number by another and shows its work. What it cannot do is tell you that the arithmetic settles the question: a term running out is a necessary condition for reuse, not a sufficient one, and the museum's own claim about its photograph is a separate right that outlives the artwork.

Term lengths in the database

  • Australialife + 70

    Life plus 70.

  • Canadalife + 50

    Life plus the shorter of 50 years or the end of the 20th century; the product applies the 50-year term.

  • European Unionlife + 70

    Life plus 70, applied uniformly across member states by the InfoSoc directive.

  • Japanlife + 70

    Life plus 70 for works of authors who died after a 1947 reform; earlier works follow the rule in force when they were made.

  • United Kingdomlife + 70

    Life plus 70 under the Copyright, Designs and Patents Act 1988.

  • United Stateslife + 70 · or 95y from publication

    Life plus 70. Works published more than 95 years ago with a copyright notice have also passed into the public domain.

How the six factors are weighted

  • Creator's copyright term0.26The largest weight, because the term is arithmetic you can check.
  • Institution's own claim0.20What the museum says about the record it is serving.
  • Reproduction restrictions0.20Estates, collecting societies, licences and copyright marks in their statement.
  • Publication-age rule0.14Where a jurisdiction clears by age regardless of the creator's death.
  • Exposure of the intended use0.12Editorial is not merchandise, and a newsletter is not a broadcast.
  • Credit-line completeness0.08Whether the record even supplies the elements a credit line needs.

Persisted per sessionYour defaults

A newsletter run

Stored against this browser's anonymous owner id. There are no accounts and no email address. Last written 2026-10-06 03:47Z.

Use and reach bands

  • Personal

    Your own screen or a private file that is never distributed.

  • Editorial

    Reporting, criticism and comment about the work itself.

  • Educational

    Teaching material inside a course, lesson or internal deck.

  • Commercial

    Paid work: a client deck, a newsletter, a product listing.

  • Merchandise

    Putting the image on something you sell: print, apparel, stock art.

  • Broadcast

    Television, streaming or any published broadcast.

  • A deskup to 100 · ×1
  • A newsletter runup to 10,000 · ×0.85
  • A publicationup to 250,000 · ×0.65
  • Open to the internetno ceiling · ×0.45

Not legal advice

OpenPlate reports what a museum's own records say and does the arithmetic on published copyright terms. It is a research desk, not legal advice, and it does not replace a rights clearance for a paying client. When the verdict is REVIEW or BLOCKED, write to the institution or to a rights adviser before you print.

OpenPlate reads records published under each institution's open-access terms and the copyright term lengths listed above. It performs no legal analysis and contacts no rights holder.

Read these settings as JSON