Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
530 ms. The Metropolitan Museum of Art, Collection API (Open Access)
433 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Drop-front secretary (secrétaire à abattant or secrétaire en armoire)
Guillaume Benneman (d. 1811)
1786–87 · Oak veneered with tulipwood, kingwood, holly partly stained green, ebony, and mahogany; brèche d'Alep marble (not original); modern leather; gilt-bronze mounts
Cleared · Public Domain
live
Pair of Stools
Jean-Baptiste-Claude Sené (d. 1803)
1786–87 · Furniture and woodwork, carved and gilded wood
Cleared · CC0
live
Comedy and Tragedy
Anne Louis Girodet-Trioson (d. 1824)
1814 · Black chalk and stumping
Cleared · Public Domain
live
Stool
Jean-Baptiste-Claude Sené (d. 1803)
1786–87 · Furniture and woodwork, carved and gilded wood
Cleared · CC0
live
Florinda
Franz Xaver Winterhalter (d. 1873)
1853 · Oil on canvas
Cleared · Public Domain
live
Stool
Jean-Baptiste-Claude Sené (d. 1803)
1786–87 · Furniture and woodwork, carved and gilded wood
Cleared · CC0
live
Compiègne, Présentation du Prince Impérial
Olympe Aguado de las Marismas (d. 1894)
1856 · Albumen silver print from glass negative
Cleared · Public Domain
live
Armchair
A. M. E. Fournier (d. 1900)
ca. 1860 · Gilded wood, upholstered in modern green tufted velvet
Cleared · Public Domain
live
Camp de Compiègne, 1698
Eugène-Louis Lami (d. 1890)
ca. 1860 · Gouache and watercolor, over traces of black chalk on heavy wove paper
Cleared · Public Domain
live
Four-legged stool
A. M. E. Fournier (d. 1900)
third quarter 19th century · Carved and gilded wood, silver-colored damask, brass casters
Cleared · Public Domain
live
Roses Compiègne
Pierre-Louis Pierson (d. 1913)
1895 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Trois Aveugles de Compiègne, from Fabliaux ou Contes. Fables et Romans di XII et du XIII siècle, traduits ou estraits, Par Legrand d'Aussy, Troisième édition, considerablement augmentée. Paris. Jules Renouard, Libraire, Rue de Tournon, No. 6
Jean Bosq (d. 1844)
published in 1829 · Etching and engraving; second state of three (Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.