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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    1583 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for ""Evening Faces" chapter from The Tale of"12 records

Institutions answered newest-first by record, interleaved

"Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari) by an unrecorded maker, The Metropolitan Museum of Art

"Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari)

Unrecorded maker

16th century · Handscroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao) by Tosa School, The Metropolitan Museum of Art

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao)

Tosa School

17th century · Matted painting; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Parody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of Genji by Kawamata Tsuneyuki, The Metropolitan Museum of Art

Parody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of Genji

Kawamata Tsuneyuki (d. 1741)

18th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
"Evening Faces" chapter from The Tale of Genji (Genji monogatari) by Kawamata Tsunemasa, The Metropolitan Museum of Art

"Evening Faces" chapter from The Tale of Genji (Genji monogatari)

Kawamata Tsunemasa (d. 1758)

18th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Fragment by an unrecorded maker, The Metropolitan Museum of Art

Fragment

Unrecorded maker

18th century · Twill-weave silk with brocading in silk and supplementary weft patterning in silk (karaori)

Cleared · Public Domain

live
The MetSimilar
A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)” by Chōbunsai Eishi, The Metropolitan Museum of Art

A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”

Chōbunsai Eishi (d. 1829)

ca. 1794 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Case (Inrō) with Design of Nonomiya (Shrine in the Fields), from The Tale of Genji, chapter 10 by an unrecorded maker, The Metropolitan Museum of Art

Case (Inrō) with Design of Nonomiya (Shrine in the Fields), from The Tale of Genji, chapter 10

Unrecorded maker

early 19th century · Gold maki-e with black lacquer Ojime: bronze with openwork and inlay of water birds on stream Netsuke: carved red lacquer

Cleared · Public Domain

live
The MetSimilar
''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) by Utagawa Kuniyoshi, The Metropolitan Museum of Art

''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Utagawa Kuniyoshi (d. 1861)

1845–46 · Woodblock ōban print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Case (Inrō) with Design of "Nonomiya" (Shrine in the Fields), from The Tale of Genji, chapter 10 (obverse); Seven Autumn Flowers Growing beside a Torii and Fence, based on "Sakaki," a Chapter from The Tale of Genji (reverse) by an unrecorded maker, The Metropolitan Museum of Art

Case (Inrō) with Design of "Nonomiya" (Shrine in the Fields), from The Tale of Genji, chapter 10 (obverse); Seven Autumn Flowers Growing beside a Torii and Fence, based on "Sakaki," a Chapter from The Tale of Genji (reverse)

Unrecorded maker

19th century · Sprinkled gold lacquer with inlaid mother-of-pearl, pewter,raden; Interior: nashiji and fundame

Cleared · Public Domain

live
The MetSimilar
Document Box with a Scene from the “Butterflies” Chapter of The Tale of Genji by an unrecorded maker, The Metropolitan Museum of Art

Document Box with a Scene from the “Butterflies” Chapter of The Tale of Genji

Unrecorded maker

20th century · Lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji and gold ground

Cleared · Public Domain

live
The MetSimilar
Scene from A Boat upon the Waters, a Chapter from "The Tale of Genji" by an unrecorded maker, The Metropolitan Museum of Art

Scene from A Boat upon the Waters, a Chapter from "The Tale of Genji"

Unrecorded maker

19th century · Gold makie (sprinkled) design on black lacquer

Cleared · Public Domain

live
The MetSimilar
Writing Box with a Scene from the “Butterflies” Chapter of The Tale of Genji by an unrecorded maker, The Metropolitan Museum of Art

Writing Box with a Scene from the “Butterflies” Chapter of The Tale of Genji

Unrecorded maker

20th century · Gold lacquer with raised sprinkled design

Cleared · Public Domain

live
The MetSimilar

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