
Door knocker
Unrecorded maker
late 15th–early 16th century · Iron
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
648 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,866 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Door knocker
Unrecorded maker
late 15th–early 16th century · Iron
Cleared · Public Domain
live
Door knocker (one of a pair)
Hubert Gerhard (d. 1621)
ca. 1600–1625 · Bronze
Cleared · Public Domain
live
Door knocker (one of a pair)
Hubert Gerhard (d. 1621)
ca. 1600–1625 · Bronze
Cleared · Public Domain
live
Tabernacle door with the risen Christ
Pietro Paolo Nardi
mid-17th century · Bronze, fire-gilt; iron (lock mechanism)
Cleared · Public Domain
live
The door of a grotto
William Marlow (d. 1813)
ca. 1765–66 · Watercolor and graphite
Cleared · Public Domain
live
"A man of strife in wrathful mood, he neared the nurse's door." Study for "Strife and Peace"
George John Pinwell (d. 1875)
1866 · Pen and ink with white gouache (bodycolor) on artist's board
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door
H. Van Buren Magonigle (d. 1935)
1915 · Iron, marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales")
William Heath Robinson (d. 1944)
ca. 1923 · Pen and black ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Open Door
Charles Sheeler (d. 1965)
1932 · Conté crayon on paper mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Door
William Wegman (d. 9999)
1970–71 · Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 2 min., 9 sec.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Sign in Door: "Office for Rant"]
Walker Evans (d. 1975)
May 30, 1974 · Instant internal dye diffusion transfer print (Polaroid SX-70)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.