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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    701 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    798 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 162 matching records exist across the two collections.

Results for ""Kanazawa 78", from the series Solitude"7 records

Institutions answered newest-first by record, interleaved

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)

Joseph Mallord William Turner (d. 1851)

May 12, 1814 · Etching and mezzotint; first state of seven (Finberg)

Cleared · Public Domain

live
The MetSimilar
Solitude, or The Reading Magdalen, part XI, plate 53 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Solitude, or The Reading Magdalen, part XI, plate 53 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

May 12, 1814 · Etching and mezzotint; first state of seven (Finberg)

Cleared · Public Domain

live
The MetSimilar
Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi) by Kubo Shunman, The Metropolitan Museum of Art

Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi)

Kubo Shunman (d. 1820)

early to mid-1810s · Privately published woodblock prints (surimono) mounted in an album; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Erimo Cape, 1976", from the series Solitude of Ravens

Masahisa Fukase (d. 2012)

1976 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kanazawa, from the series Solitude of Ravens

Masahisa Fukase (d. 2012)

1977 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Kanazawa 78", from the series Solitude of Ravens

Masahisa Fukase (d. 2012)

1978 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Koen-dori, Shibuya, from the series Solitude of Ravens

Masahisa Fukase (d. 2012)

1982 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.