
Icon of the Virgin and Child, Hodegetria variant
Byzantine or Crusader
13th century · Tempera on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
214 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1265 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 424 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Icon of the Virgin and Child, Hodegetria variant
Byzantine or Crusader
13th century · Tempera on wood
Cleared · Public Domain
live
"Kharrad Recognizes the "Princess" as being an Automaton", Folio from a Shahnama (Book of Kings)
Abu'l Qasim Firdausi (d. 1020)
dated 741 AH/1341 CE · Ink, watercolor, and gold on paper
Cleared · Public Domain
live
Two Scenes from "Der Busant" (The Buzzard)
Unrecorded maker
1480–90 · Linen wrap; wool, silk, and metallic wefts
Cleared · Public Domain
live
A Dervish
Unrecorded maker
late 16th–early 17th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
The Tanabata Festival in the Seventh Month (Fumizuki)
Suzuki Harunobu (d. 1770)
ca. 1765–70 · Woodblock print (nishiki-e); ink and color on paper
Cleared · Public Domain
live
Danaë in the Brazen Chamber
Frederick Augustus Sandys (d. 1904)
1867 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Modern Masquerade
George Cruikshank (d. 1878)
1812 (?) · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Scene in the New Farce of the Lady and the Devil
Isaac Robert Cruikshank (d. 1856)
October 24, 1822 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marriage of Edward, Prince of Wales, and Princess Alexandra of Denmark, March 1863
William Henry Simmons (d. 1882)
1870 · Etching, engraving and stipple on chine collé; before published state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amelie Rives, Princess Troubetzkoy
Pierre Troubetzkoy (d. 1936)
1904 · Gum bichromate over platinum print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.