
Whistle
Cupisnique artist(s)
1200–500 BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
136 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Whistle
Cupisnique artist(s)
1200–500 BCE · Ceramic
Cleared · Public Domain
live
Bowl with zoomorphic motifs
Paracas artist(s)
350–200 BCE · Ceramic, post-fire paint
Cleared · Public Domain
live
Palma with turkey
Classic Veracruz artist(s)
800–1100 CE · Stone, pigment
Cleared · Public Domain
live
Boy on a shell, holding a candlestick
Unrecorded maker
mid-15th century · Bronze, partially oil-gilt
Cleared · Public Domain
live
Stamp, Monkey
Unrecorded maker
14th–early 16th century · Ceramic
Cleared · Public Domain
live
Stamp, Monkey
Unrecorded maker
14th–early 16th century · Ceramic
Cleared · Public Domain
live
Triton and Nereid
Andrea Briosco, called Riccio (d. 1532)
after 1532–before ca. 1550 · Bronze
Cleared · Public Domain
live
Monkey stamp
Unrecorded maker
13th–16th century · Ceramic
Cleared · Public Domain
live
Paolo Giordano II Orsini, Duke of Bracciano
Johann Jakob Kornmann (called Cormano) (d. 1700)
ca. 1632 · Bronze, partially silvered
Cleared · Public Domain
live
The Spaghetti Eaters (Columbine and Pulcinella)
Capodimonte Porcelain Manufactory (d. 1759)
ca. 1750 · Soft-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 12, Papier peint "Le Marin", composition de Laboureur, from "Papiers Peints et Tentures Modernes"
Henri Clouzot
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Llanto", abstract head (number 2)
José Maria de Labra (d. 1994)
ca. 1959 · Sheet folded in half with letterpress title and publication details on front, poem by Souvirón on inside cover facing the print (drypoint and etching)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.