
Fish hacha
Classic Veracruz artist(s)
600–900 CE · Stone, shell, traces of plaster, pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
431 ms. The Metropolitan Museum of Art, Collection API (Open Access)
305 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 62 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fish hacha
Classic Veracruz artist(s)
600–900 CE · Stone, shell, traces of plaster, pigment
Cleared · Public Domain
live
Hacha head
Classic Veracruz artist(s)
600–900 CE · Andesite
Cleared · Public Domain
live
Adam and Eve with Charles I and Henrietta Maria
Unrecorded maker
after 1634 · Canvas worked with silk and metal thread; tent and couching stitches
Cleared · Public Domain
live
Plate
Clérissy Manufactory
ca. 1734 · Faience (tin-glazed earthenware)
Cleared · Public Domain
live
Tray (one of a set)
Doccia Porcelain Manufactory (d. 1896)
1745–47 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Platter (one of a set)
Doccia Porcelain Manufactory (d. 1896)
ca. 1745 · Hard-paste porcelain
Cleared · Public Domain
live
Platter (one of a set)
Doccia Porcelain Manufactory (d. 1896)
ca. 1745 · Hard-paste porcelain
Cleared · Public Domain
live
Mantel clock with alarm
Franz Xavier Gegenreiner (d. 1770)
case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Comus. A Mask
John Milton (d. 1674)
1858 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Night Charges" on Their Way to Court, from "The Graphic," vol. 1
Arthur Boyd Houghton (d. 1875)
December 11, 1869 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ȯkyeame poma (royal spokesperson's staff) with stool, chain, and crossed swords
Asante-Akan artist
ca. 1930s · Wood, gold foil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.