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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    230 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for ""Old King Cole"―page design"6 records

Institutions answered newest-first by record, interleaved

Head of a Man in Profile Facing to the Left by Leonardo da Vinci, The Metropolitan Museum of Art

Head of a Man in Profile Facing to the Left

Leonardo da Vinci (d. 1519)

1490–94 · Pen and brown ink, over soft black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Songs, with drawings by Edwin A. Abbey & Alfred Parsons

Edwin Austin Abbey (d. 1911)

1889 · Wood engraving and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Old King Cole"―page design

Paul Vincent Woodroffe (d. 1954)

May 25, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Spanish Masters, Engraved by Timothy Cole, with Historical Notes by Charles H. Caffin and Comments by the Engraver

Timothy Cole (d. 1931)

1907 · Wood engravings on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ȯkyeame poma (royal spokesperson's staff) with stool, chain, and crossed swords

Asante-Akan artist

ca. 1930s · Wood, gold foil

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.