Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3965 ms. The Metropolitan Museum of Art, Collection API (Open Access)
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 38 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt
Giovanni Lanfranco (d. 1647)
1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines
Cleared · Public Domain
live
Table clock with calendar
Lucien Falize (d. 1897)
1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel
Cleared · Public Domain
live
Ney-Anbān
Unrecorded maker
19th century · Wood, cane, goat or kidskin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Paris, le 26 Octobre, 1841., from Les Lorettes, published in Le Charivari, October 26, 1841, plate 16
Paul Gavarni [Chevalier] (d. 1866)
October 26, 1841 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Paris, le 26 Octobre, 1841", from Les Lorettes, plate 16
Paul Gavarni [Chevalier] (d. 1866)
1841 · Colored lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
(En chœur) "Le soleil est si beau!," from Les Musiciens de Paris, published in La Caricature, October 31, 1841
Honoré Daumier (d. 1879)
October 31, 1841 · Lithograph; second state of three (Delteil)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dodophe et Titine, from Les Étudians de Paris, published in Le Charivari, October 22, 1841, plate 53
Paul Gavarni [Chevalier] (d. 1866)
August 1, 1841 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: ["Etudes pour Parade": Cocteau's handwritten notes]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten draft of libretto for Parade]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de la petite fille americaine"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro du Prestidigitateur chinois"]
Jean Cocteau (d. 1963)
1916–17
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.