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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    23 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 61 matching records exist across the two collections.

Results for ""Poor Mary Sits-A-Weeping"―page design"12 records

Institutions answered newest-first by record, interleaved

La Pratique de l'Aiguille, page 13 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 13 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 14 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 14 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 29 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 29 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 34 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 34 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 67 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 67 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 7 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 7 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 72 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 72 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 73 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 73 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 9 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 9 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, title page (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, title page (recto)

Matthias Mignerak

1605 · Engraving

Cleared · Public Domain

live
The MetSimilar
Zeichen-Mahler und Stickerbuch zur Selbstbelehrung für Damen, Zweiter Theil by Johann Friedrich Netto, The Metropolitan Museum of Art

Zeichen-Mahler und Stickerbuch zur Selbstbelehrung für Damen, Zweiter Theil

Johann Friedrich Netto (d. 1809)

1798 · Plates: engraving, hand colored engraving, silk and metal thread embroidery on silk on one page

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Poor Mary Sits-A-Weeping"―page design

Paul Vincent Woodroffe (d. 1954)

December 23, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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