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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    262 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    588 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for ""Portrait of a Noble in Gauzy White Cost"7 records

Institutions answered newest-first by record, interleaved

Figure with conical headdress and shield by Maya artist(s), The Metropolitan Museum of Art

Figure with conical headdress and shield

Maya artist(s)

600–800 CE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art

The Farnese Table

Jacopo [Giacomo] Barozzi da Vignola (d. 1573)

ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers

Cleared · Public Domain

live
The MetSimilar
"Portrait of a Noble in Gauzy White Costume", Folio from the Davis Album by an unrecorded maker, The Metropolitan Museum of Art

"Portrait of a Noble in Gauzy White Costume", Folio from the Davis Album

Unrecorded maker

late 17th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
The Martyrdom of Saint Anastasia by Michelangelo Cerruti ("Il Candelottaro"), The Metropolitan Museum of Art

The Martyrdom of Saint Anastasia

Michelangelo Cerruti ("Il Candelottaro") (d. 1748)

1721 · Pen and brown ink, brush and pale brown wash, highlighted with white gouache, over black chalk

Cleared · Public Domain

live
The MetSimilar
Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775–1849) and Her Daughter Ann by John Russell, The Metropolitan Museum of Art

Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775–1849) and Her Daughter Ann

John Russell (d. 1806)

1801 · Pastel on paper, laid down on canvas

Cleared · Public Domain

live
The MetSimilar
Otoe-Missouria Delegation by John K. Hillers, The Metropolitan Museum of Art

Otoe-Missouria Delegation

John K. Hillers (d. 1925)

1881 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Trotter's Burial: "The Dearest Spot on Earth to Me."

Currier & Ives (d. 1907)

1878 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.