
Bannerstone
Unrecorded maker
6000–1000 BCE · Ferruginous quartz
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
830 ms. The Metropolitan Museum of Art, Collection API (Open Access)
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bannerstone
Unrecorded maker
6000–1000 BCE · Ferruginous quartz
Cleared · Public Domain
live
Bannerstone, Double-Bitted Axe
Unrecorded maker
6000–1000 BCE · Shale
Cleared · Public Domain
live
Bannerstone, Double-Notched Ovate
Unrecorded maker
6000–1000 BCE · Banded slate
Cleared · Public Domain
live
Whistle
Cupisnique artist(s)
1200–500 BCE · Ceramic
Cleared · Public Domain
live
Engraved spouted jar
Maya artist(s)
50 BCE–100 CE · Indurated limestone
Cleared · Public Domain
live
Standing female figure
Chimú artist(s)
1350–1470 CE · Wood, pigment
Cleared · Public Domain
live
Basset Horn in F
Johann Gottlieb Freyer (d. 1808)
ca. 1800 · Boxwood, ivory, brass
Cleared · Public Domain
live
"Rounding a Bend" on the Mississippi – The Parting Salute
Frances Flora Bond Palmer (d. 1876)
1866 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
High Pressure Steamboat Mayflower, First Class Packet between St. Louis and New Orleans on the Mississippi River
Charles Parsons (d. 1910)
1855 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blood Will Tell
Currier & Ives (d. 1907)
1879 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Street Singers
Claude Flight (d. 1955)
1925 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Housetop and Bricklayer with Bars quilt
Lucy T. Pettway (d. 2004)
ca. 1955 · Top and back: cotton and acetate
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.