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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    334 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    264 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 194 matching records exist across the two collections.

Results for ""Salman-i Farsi's Conversion," Folio fro"12 records

Institutions answered newest-first by record, interleaved

Bottle by an unrecorded maker, The Metropolitan Museum of Art

Bottle

Unrecorded maker

7th–8th century · Glass; blown, tooled on the pontil

Cleared · Public Domain

live
The MetSimilar
Bottle by an unrecorded maker, The Metropolitan Museum of Art

Bottle

Unrecorded maker

7th–8th century · Glass; blown, tooled on the pontil

Cleared · Public Domain

live
The MetSimilar
Bottle by an unrecorded maker, The Metropolitan Museum of Art

Bottle

Unrecorded maker

7th–8th century · Glass; blown, tooled on the pontil

Cleared · Public Domain

live
The MetSimilar
Flask by an unrecorded maker, The Metropolitan Museum of Art

Flask

Unrecorded maker

7th–8th century · Glass; mold blown, cut decoration

Cleared · Public Domain

live
The MetSimilar
Flask by an unrecorded maker, The Metropolitan Museum of Art

Flask

Unrecorded maker

7th–8th century · Glass; blown, tooled on the pontil

Cleared · Public Domain

live
The MetSimilar
Flask by an unrecorded maker, The Metropolitan Museum of Art

Flask

Unrecorded maker

7th–8th century · Glass; cut, tooled on the pontil

Cleared · Public Domain

live
The MetSimilar
Ceramic Fragment by an unrecorded maker, The Metropolitan Museum of Art

Ceramic Fragment

Unrecorded maker

9th century · Earthenware; glazed

Cleared · Public Domain

live
The MetSimilar
Fragment of an Ewer by an unrecorded maker, The Metropolitan Museum of Art

Fragment of an Ewer

Unrecorded maker

8th–9th century · Glass; blown and tooled, applied handle

Cleared · Public Domain

live
The MetSimilar
Fragment of a Dish by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Dish

Unrecorded maker

8th–10th century · Earthenware; glazed

Cleared · Public Domain

live
The MetSimilar
Jar by an unrecorded maker, The Metropolitan Museum of Art

Jar

Unrecorded maker

8th–10th century · Earthenware; glazed

Cleared · Public Domain

live
The MetSimilar
Imam 'Ali and Sons with a Lion by Isma'il Jalayir, The Metropolitan Museum of Art

Imam 'Ali and Sons with a Lion

Isma'il Jalayir (d. 1899)

1860s · Ink on cardboard

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Salman-i Farsi's Conversion," Folio from a Hamla-yi Haidari (Attack of the Lion)

Unrecorded maker

19th century · Ink, opaque watercolor, silver, and gold on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.