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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    269 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    419 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for ""St. Michael, the Archangel," Folio from"11 records

Institutions answered newest-first by record, interleaved

Saint Michael by an unrecorded maker, The Metropolitan Museum of Art

Saint Michael

Unrecorded maker

ca. 1475 · Limestone, traces of paint & gilding

Cleared · Public Domain

live
The MetSimilar
Printed Book of Hours (Use of Rome): fol. 97v, St. Michael the Archangel by Guillaume Le Rouge, The Cleveland Museum of Art

Printed Book of Hours (Use of Rome): fol. 97v, St. Michael the Archangel

Guillaume Le Rouge (d. 1517)

1510 · Bound Volume, 112 Printed folios on parchment, bound

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint Margaret by Michael Pacher, The Metropolitan Museum of Art

Saint Margaret

Michael Pacher (d. 1498)

ca. 1470–80 · Pine with metal appliqués, traces of gesso and paint

Cleared · Public Domain

live
The MetSimilar
The Martyrdom of St. Stephen, from "The Nuremburg Chronicle", folio 103 by Anonymous, German, 15th century, The Metropolitan Museum of Art

The Martyrdom of St. Stephen, from "The Nuremburg Chronicle", folio 103

Anonymous, German, 15th century (d. 1500)

1494 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael

Unrecorded maker

second half of the 15th century · Tempera, gold, silver, ink on parchment

Cleared · Public Domain

live
The MetSimilar
"St. Michael, the Archangel," Folio from the Bellini Album by an unrecorded maker, The Metropolitan Museum of Art

"St. Michael, the Archangel," Folio from the Bellini Album

Unrecorded maker

ca. 1600 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"The Annunciation," Folio from the Bellini Album by an unrecorded maker, The Metropolitan Museum of Art

"The Annunciation," Folio from the Bellini Album

Unrecorded maker

ca. 1600 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Powder Horn by an unrecorded maker, The Metropolitan Museum of Art

Powder Horn

Unrecorded maker

dated March 10, 1809 · Horn (ox)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Archangel Michael

Master of the David and Saint John Statuettes (d. 1550)

ca. 1500–1510 · Terracotta

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bell rubbing with Saint Michael slaying the dragon, from "Wetterglocke," Church of St. Michael, Jena, Germany

Hermann Bergfret (d. 1499)

19th–20th century [bell dated 1415] · Charcoal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bell rubbing with the Crucifixion, from "Wetterglocke," Church of St. Michael, Jena, Germany

Hermann Bergfret (d. 1499)

19th–20th century [bell dated 1415] · Charcoal

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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