Cuneiform tablet: statement before witnesses
Unrecorded maker
ca. 20th–19th century BCE · Clay
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
5954 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
433 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 57 matching records exist across the two collections.
Results for ""The Ascetic Witnesses the Woman Trying"12 records
Institutions answered newest-first by record, interleaved
Mummy Mask of a Woman
Unrecorded maker
60–70 CE · Cartonnage, plaster, paint, plant fibers
Cleared · Public Domain
liveThe MetSimilar
"The Ascetic Witnesses the Woman Trying to Poison the Lover", Folio from a Kalila wa Dimna
Unrecorded maker
second quarter 16th century · Ink and opaque watercolor on paper
Cleared · Public Domain
liveThe MetSimilar
The Bum Shop
R. Rushworth (d. 1800)
July 11, 1785 · Etching
Cleared · Public Domain
liveThe MetSimilar
You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1816–20 · Brush, carbon black and gray ink and wash, scraper
Cleared · Public Domain
liveThe MetSimilar
Faust Trying to Seduce Marguerite (Goethe, Faust)
Eugène Delacroix (d. 1863)
1825–27 · Lithograph, seventh state of seven
Cleared · Public Domain
liveThe MetSimilar
Thereza
John Dillwyn Llewelyn (d. 1882)
1853–56 · Salted paper print
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Death of Aegisthus and Clytemnestra
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for the Lids or Insides of Tobacco Boxes (6)
Elias Baeck (d. 1747)
ca. 1710–30 · etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gretna Green, or the Red-Hot Marriage
Anonymous, British, 18th century (d. 1800)
ca. 1795 · Hand-colored mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fitting
Mary Cassatt (d. 1926)
1890–91 · Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fitting
Mary Cassatt (d. 1926)
1890–91 · Drypoint and soft-ground etching, printed in black ink from one plate; second state of seven (Mathews & Shapiro)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.