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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    483 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    565 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for ""The Breaker.""12 records

Institutions answered newest-first by record, interleaved

Landscapes after Song and Yuan masters by Lan Ying, The Metropolitan Museum of Art

Landscapes after Song and Yuan masters

Lan Ying (d. 1664)

1642 · Album of twelve leaves; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Gibson's Breaker, Rushdale, Pennsylvania by Thomas H. Johnson, The Metropolitan Museum of Art

Gibson's Breaker, Rushdale, Pennsylvania

Thomas H. Johnson (d. 1870)

ca. 1865 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gallery of American Art, No. I

American Art-Union, New York (d. 1851)

1850–51 · Etching and engraving on steel and paper wrapper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Child Among the Rocks, from "Picture Poesies"

Arthur Boyd Houghton (d. 1875)

first published 1865, reissued 1874 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Breakers: Wall Elevation with late Baroque Furnishings

Ogden Codman, Jr. (d. 1951)

ca. 1893–95 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Breakers: Elevation for Cornelius Vanderbilt II and family, window design

Ogden Codman, Jr. (d. 1951)

ca. 1893–95 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Breakers: room elevation, window wall panelling design

Ogden Codman, Jr. (d. 1951)

ca. 1893–95 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"The Breaker."

Unrecorded maker

1907 · Photomechanical print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Breakers

James Edmund Allen (d. 1964)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Olamina (How do we learn to love each other while we are embattled)

Firelei Báez (d. 9999)

2022 · Oil and acrylic on inkjet on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.