
Lamp Stand
Abdullah Haidar al-Husaini
1027–29 AH/1617–18 CE · Brass; cast, engraved, and inlaid with black compound and applied cinnabar
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3314 ms. The Metropolitan Museum of Art, Collection API (Open Access)
396 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 94 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lamp Stand
Abdullah Haidar al-Husaini
1027–29 AH/1617–18 CE · Brass; cast, engraved, and inlaid with black compound and applied cinnabar
Cleared · Public Domain
live
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4)
Peter Simon (d. 1813)
September 29, 1792 · Etching and engraving
Cleared · Public Domain
live
The Conclusion of the first Volume of the Caricature Magazine
Charles Williams (d. 1850)
September 1, 1807 · Hand-colored etching
Cleared · Public Domain
live
A Visit to the Doctor
Thomas Rowlandson (d. 1827)
1809–12? · Hand-colored etching; reprint
Cleared · Public Domain
live
Plate 25: Robert Macaire, the genteel beggar, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Lithograph on wove paper; third state of three (Delteil)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Lust
Paul Cadmus (d. 1999)
1945 · Egg tempera on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Pride
Paul Cadmus (d. 1999)
1945 · Egg tempera on gessoed linen over Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Anger
Paul Cadmus (d. 1999)
1947 · Egg tempera on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Envy
Paul Cadmus (d. 1999)
1947 · Egg tempera on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Sloth
Paul Cadmus (d. 1999)
1947 · Egg tempera on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Avarice
Paul Cadmus (d. 1999)
1949 · Egg tempera on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Deadly Sins: Gluttony
Paul Cadmus (d. 1999)
1949 · Egg tempera on cardboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.