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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3314 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    396 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 94 matching records exist across the two collections.

Results for ""To you I give myself, for I am yours" ("12 records

Institutions answered newest-first by record, interleaved

Lamp Stand by Abdullah Haidar al-Husaini, The Metropolitan Museum of Art

Lamp Stand

Abdullah Haidar al-Husaini

1027–29 AH/1617–18 CE · Brass; cast, engraved, and inlaid with black compound and applied cinnabar

Cleared · Public Domain

live
The MetSimilar
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4) by Peter Simon, The Metropolitan Museum of Art

"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4)

Peter Simon (d. 1813)

September 29, 1792 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Conclusion of the first Volume of the Caricature Magazine by Charles Williams, The Metropolitan Museum of Art

The Conclusion of the first Volume of the Caricature Magazine

Charles Williams (d. 1850)

September 1, 1807 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Visit to the Doctor by Thomas Rowlandson, The Metropolitan Museum of Art

A Visit to the Doctor

Thomas Rowlandson (d. 1827)

1809–12? · Hand-colored etching; reprint

Cleared · Public Domain

live
The MetSimilar
Plate 25: Robert Macaire, the genteel beggar, from 'Caricaturana,' published in Les Robert Macaires by Honoré Daumier, The Metropolitan Museum of Art

Plate 25: Robert Macaire, the genteel beggar, from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper; third state of three (Delteil)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Lust

Paul Cadmus (d. 1999)

1945 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Pride

Paul Cadmus (d. 1999)

1945 · Egg tempera on gessoed linen over Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Anger

Paul Cadmus (d. 1999)

1947 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Envy

Paul Cadmus (d. 1999)

1947 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Sloth

Paul Cadmus (d. 1999)

1947 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Avarice

Paul Cadmus (d. 1999)

1949 · Egg tempera on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Gluttony

Paul Cadmus (d. 1999)

1949 · Egg tempera on cardboard

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.