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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    655 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 349 matching records exist across the two collections.

Results for ""Will had her to the wine," illustration"11 records

Institutions answered newest-first by record, interleaved

Terracotta bell-krater (bowl for mixing wine and water) by Painter of London E 497, The Metropolitan Museum of Art

Terracotta bell-krater (bowl for mixing wine and water)

Painter of London E 497

ca. 440 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta bell-krater (bowl for mixing wine and water) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta bell-krater (bowl for mixing wine and water)

Unrecorded maker

ca. 440–430 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
"Isfandiyar's Fourth Course: He Slays a Sorceress", Folio from a Shahnama (Book of Kings) of Firdausi by Abu'l Qasim Firdausi, The Metropolitan Museum of Art

"Isfandiyar's Fourth Course: He Slays a Sorceress", Folio from a Shahnama (Book of Kings) of Firdausi

Abu'l Qasim Firdausi (d. 1020)

ca. 1330–40 · Ink, opaque watercolor, gold, and silver on paper

Cleared · Public Domain

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The MetSimilar
Wine taster by Pierre IX Hanappier, The Metropolitan Museum of Art

Wine taster

Pierre IX Hanappier (d. 1805)

1768–70 · Silver

Cleared · Public Domain

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The MetSimilar
Wine funnel by an unrecorded maker, The Metropolitan Museum of Art

Wine funnel

Unrecorded maker

ca. 1770 · Enamel on copper

Cleared · Public Domain

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The MetSimilar
Lady Harriet Acland, Crossing the Hudson River to the American Lines, Presenting Her Safe Conduct by Robert Pollard, The Metropolitan Museum of Art

Lady Harriet Acland, Crossing the Hudson River to the American Lines, Presenting Her Safe Conduct

Robert Pollard (d. 1838)

November 15, 1784 · Aquatint and etching on chine collé

Cleared · Public Domain

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The MetSimilar
The Arch Duchess Maria Louisa Going to Take Her Nap by Thomas Rowlandson, The Metropolitan Museum of Art

The Arch Duchess Maria Louisa Going to Take Her Nap

Thomas Rowlandson (d. 1827)

April 12, 1810 · Hand-colored etching

Cleared · Public Domain

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The MetSimilar
"She Never Told Her Love" by Henry Peach Robinson, The Metropolitan Museum of Art

"She Never Told Her Love"

Henry Peach Robinson (d. 1901)

1857 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar
The jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel" by Edwin Austin Abbey, The Metropolitan Museum of Art

The jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel"

Edwin Austin Abbey (d. 1911)

1880–83 · Pen and ink

Cleared · Public Domain

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The MetSimilar
"Will had her to the wine," illustration to "Phillada Flouts Me" by Edwin Austin Abbey, The Metropolitan Museum of Art

"Will had her to the wine," illustration to "Phillada Flouts Me"

Edwin Austin Abbey (d. 1911)

1886 · Pen and ink

Cleared · Public Domain

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The MetSimilar
And none knew why he fed them both with his own hands, illustration to "Quince" by Edwin Austin Abbey, The Metropolitan Museum of Art

And none knew why he fed them both with his own hands, illustration to "Quince"

Edwin Austin Abbey (d. 1911)

1888 · Pen and ink on cardboard

Cleared · Public Domain

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The MetSimilar

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