
Torso of Nefertiti from a dyad holding a stela in front of the bodies
Unrecorded maker
ca. 1347–1330 BCE · Indurated limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1241 ms. The Metropolitan Museum of Art, Collection API (Open Access)
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 170 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Torso of Nefertiti from a dyad holding a stela in front of the bodies
Unrecorded maker
ca. 1347–1330 BCE · Indurated limestone
Cleared · Public Domain
live
The Barque of Amun Arriving at the West Bank of Thebes
Charles K. Wilkinson (d. 1986)
1930–31; original ca. 1300–1224 BCE · Tempera on paper
Cleared · Public Domain
live
Relief from the Tomb of Nespekashuty
Unrecorded maker
656–650 BCE · Limestone, paint
Cleared · Public Domain
live
Brazier of Rasulid Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn 'Umar
Unrecorded maker
second half 13th century · Brass; cast, chased, and inlaid with silver and black compound
Cleared · Public Domain
live
Fragment of a Coat
Unrecorded maker
early 14th century · Silk; double weave
Cleared · Public Domain
live
Tray Made for the Rasulid Sultan al-Mu'ayyad Da'ud ibn Yusuf
Unrecorded maker
early 14th century · Brass; engraved and inlaid with silver and black compound
Cleared · Public Domain
live
"Yusuf Arriving in Egypt and Leaving the Ship in the Nile", Folio of a Yusuf and Zulaykha of Jami
Maulana Nur al-Din `Abd al-Rahman Jami (d. 1492)
930 AH/1523–24 CE · Opaque watercolor, silver, and gold on paper
Cleared · Public Domain
live
"Zulaykha Bidding for Yusuf in the Slave Market in Egypt", Folio from Yusuf and Zulaykha
Unrecorded maker
second half 16th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Tétouan from the Terrace of Cohen’s House, Morocco
David Roberts (d. 1864)
April 10, 1833 · Watercolor and gouache over soft dark graphite on gray paper
Cleared · Public Domain
live
Pyramid of Chephren (Khafre), Middle Egypt
Maxime Du Camp (d. 1894)
December 10, 1849, printed 1852 · Salted paper print (Blanquart-Évrard process) from paper negative
Cleared · Public Domain
live
The Seventy Ninth Regiment (Highlanders), New York State Militia (from "Harper's Weekly," Vol. 5, p. 329)
Winslow Homer (d. 1910)
May 25, 1861 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The El at Columbus and Broadway
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.