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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3401 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 205 matching records exist across the two collections.

Results for ""Zahhak Brought as a Prisoner before Far"12 records

Institutions answered newest-first by record, interleaved

Prisoner jar by an unrecorded maker, The Metropolitan Museum of Art

Prisoner jar

Unrecorded maker

200–800 CE · Ceramic, slip

Cleared · Public Domain

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The MetSimilar
"Zahhak Brought as a Prisoner before Faridun", Folio from a Shahnama (Book of Kings) by Abu'l Qasim Firdausi, The Metropolitan Museum of Art

"Zahhak Brought as a Prisoner before Faridun", Folio from a Shahnama (Book of Kings)

Abu'l Qasim Firdausi (d. 1020)

last quarter 15th century · Ink, opaque watercolor, gold, and silver on paper

Cleared · Public Domain

live
The MetSimilar
La Mosquée d'Omar, à Jérusalem by Maxime Du Camp, The Metropolitan Museum of Art

La Mosquée d'Omar, à Jérusalem

Maxime Du Camp (d. 1894)

August 20, 1850 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
La Porte dorée à Jérusalem by Maxime Du Camp, The Metropolitan Museum of Art

La Porte dorée à Jérusalem

Maxime Du Camp (d. 1894)

August 1850 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Mosquée d'Ali-Bey, à Girgeh by Maxime Du Camp, The Metropolitan Museum of Art

Mosquée d'Ali-Bey, à Girgeh

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Palmiers Doums à Hamarneh by Maxime Du Camp, The Metropolitan Museum of Art

Palmiers Doums à Hamarneh

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Ruines d'un Arc-de-triomphe Romain, à Philae by Maxime Du Camp, The Metropolitan Museum of Art

Ruines d'un Arc-de-triomphe Romain, à Philae

Maxime Du Camp (d. 1894)

April 1850 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Ruines d'une ville chrétienne, à Médinet-habou (Thèbes) by Maxime Du Camp, The Metropolitan Museum of Art

Ruines d'une ville chrétienne, à Médinet-habou (Thèbes)

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Ruines et Village de Begueh, petite île à l'Ouest de Philae by Maxime Du Camp, The Metropolitan Museum of Art

Ruines et Village de Begueh, petite île à l'Ouest de Philae

Maxime Du Camp (d. 1894)

April 11, 1850 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Tombeaux Musulmans à Herment by Maxime Du Camp, The Metropolitan Museum of Art

Tombeaux Musulmans à Herment

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Tombeaux Musulmans à Siout by Maxime Du Camp, The Metropolitan Museum of Art

Tombeaux Musulmans à Siout

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Vue prise à Béni-Souef by Maxime Du Camp, The Metropolitan Museum of Art

Vue prise à Béni-Souef

Maxime Du Camp (d. 1894)

February 19, 1850 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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