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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    269 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    301 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "''‘Lady of the Evening Faces’ (Yūgao): Y"10 records

Institutions answered newest-first by record, interleaved

Headdress Ornament by an unrecorded maker, The Metropolitan Museum of Art

Headdress Ornament

Unrecorded maker

200–600 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Mirror-bearer by Maya artist(s), The Metropolitan Museum of Art

Mirror-bearer

Maya artist(s)

410–650 CE · Cordia wood (bocote), red hematite

Cleared · Public Domain

live
The MetSimilar
Seated female figure by Maya artist(s), The Metropolitan Museum of Art

Seated female figure

Maya artist(s)

700–800 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Seated Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Female Figure

Unrecorded maker

6th–9th century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao) by Tosa School, The Metropolitan Museum of Art

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao)

Tosa School

17th century · Matted painting; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
"Evening Faces" chapter from The Tale of Genji (Genji monogatari) by Kawamata Tsunemasa, The Metropolitan Museum of Art

"Evening Faces" chapter from The Tale of Genji (Genji monogatari)

Kawamata Tsunemasa (d. 1758)

18th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Fragment by an unrecorded maker, The Metropolitan Museum of Art

Fragment

Unrecorded maker

18th century · Twill-weave silk with brocading in silk and supplementary weft patterning in silk (karaori)

Cleared · Public Domain

live
The MetSimilar
Noh Costume (Karaori) with Cypress Fans and Moonflower (Yūgao) Blossoms by an unrecorded maker, The Metropolitan Museum of Art

Noh Costume (Karaori) with Cypress Fans and Moonflower (Yūgao) Blossoms

Unrecorded maker

18th–early 19th century · Twill-weave silk with brocading in silk and supplementary-weft patterning in silk and metallic thread

Cleared · Public Domain

live
The MetSimilar
''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) by Utagawa Kuniyoshi, The Metropolitan Museum of Art

''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Utagawa Kuniyoshi (d. 1861)

1845–46 · Woodblock ōban print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki) by Tsukioka Yoshitoshi, The Metropolitan Museum of Art

The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki)

Tsukioka Yoshitoshi (d. 1892)

ca. 1892 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar

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