
Studies of a Standing Woman Holding a Spindle and a Woman’s Head in Profile to the Right
Antoine Watteau (d. 1721)
ca. 1714–18 · Two shades of red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
457 ms. The Metropolitan Museum of Art, Collection API (Open Access)
360 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 37 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Studies of a Standing Woman Holding a Spindle and a Woman’s Head in Profile to the Right
Antoine Watteau (d. 1721)
ca. 1714–18 · Two shades of red chalk
Cleared · Public Domain
live
Peasant woman
Matteo Bottigheri (d. 1825)
second half 18th century · Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and velvet garments; metal buckle on shoe
Cleared · Public Domain
live
Standing sheep
Nicola Vassalo (d. 1825)
second half 18th century · Polychromed terracotta body, lead ears and legs
Cleared · Public Domain
live
Standing sheep
Unrecorded maker
second half 18th century · Polychromed terracotta
Cleared · Public Domain
live
Standing sheep
Nicola Vassalo (d. 1825)
second half 18th century · Polychromed terracotta body, wooden ears, lead legs
Cleared · Public Domain
live
Standing sheep
Unrecorded maker
second half 18th century · Polychromed terracotta
Cleared · Public Domain
live
Standing sheep
Unrecorded maker
second half 18th century · Polychromed terracotta body, lead ears and legs
Cleared · Public Domain
live
Woman
Lorenzo Mosca (d. 1789)
second half 18th century · Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; various fabrics and lace
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Night
Sir David Young Cameron (d. 1945)
1892 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York
Helen Levitt (d. 2009)
ca. 1939 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
'Yucatan Night': a woman standing in a doorway
Alfredo Zalce (d. 2003)
ca. 1940–46 · Etching with addition of blue wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Woman Standing on Head)
Laurie Simmons (d. 9999)
1976, printed 1998 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.