
Woman Playing the Violin, Seen from the Front
Louis de Carmontelle (d. 1806)
ca. 1758–59 · Red and black chalk, graphite, and watercolor
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
7218 ms. The Metropolitan Museum of Art, Collection API (Open Access)
354 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Woman Playing the Violin, Seen from the Front
Louis de Carmontelle (d. 1806)
ca. 1758–59 · Red and black chalk, graphite, and watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Birds-Eye Views of Modern Society, reprinted from the Cornhill Magazine
Richard Doyle (d. 1883)
[1864] · Electroplates of wood engravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horse Car Sports Going to a Chicken Show: All Flush
Currier & Ives (d. 1907)
1886 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horse Car Sports on the Back Track: Dead Broke
Currier & Ives (d. 1907)
1886 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[11 Stereographic Views of Comic Scenes]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[11 Stereographic Views of Morse Statue, Central Park, New York]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[11 Stereographic Views of Music Stand, Central Park, New York]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[11 Stereographic Views of the Island in the Lake, Central Park, New York]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[11 Stereographic Views of Union Square Including Washington's Monument, New York City]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[3 Stereographic Views of the Academy of Music, New York City]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[53 Stereographic Views of Music Stand, Central Park, New York]
Various, American
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[7 Stereographic Views of the Music Hall of Central Park Garden, Exterior and Interior Views, New York City]
Various, American
1850s–1910s · Albumen silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.