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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    437 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    521 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 785 matching records exist across the two collections.

Results for "[116 Items of Correspondence to and from"12 records

Institutions answered newest-first by record, interleaved

Card Number 116, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co., The Metropolitan Museum of Art

Card Number 116, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes

W. Duke, Sons & Co. (d. 1920)

1880s · Albumen photograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Items from an archer's bag

Unrecorded maker

ca. 2050–2000 B.C. · Linen, antimony

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Milling Correspondence

William Chester Walker (d. 1872)

1824 · Woodcut and letter press

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[One Hundred Fifty-two Items of Correspondence from Hanns Skolle and Elizabeth Skolle to Walker Evans]

Walker Evans (d. 1975)

1926–33 · Pencil and ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[16 Items of Correspondence and Legal Papers to and from Emmet, Marvin & Martin Regarding Divorce Proceedings]

Walker Evans (d. 1975)

1955–60

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[24 Items of Correspondence, Applications, Notes, and Confidential Report Forms Related to Grants and Foundations: Carnegie Corporation, Ford Foundation, John Simon Guggenheim Memorial Foundation]

Walker Evans (d. 1975)

1952–69

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[56 Items of Correspondence, Press Clippings, and Manuscripts By and Related to James Agee]

Walker Evans (d. 1975)

1937–69

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[116 Items of Correspondence to and from Various Publishers and Periodicals, Including Letters, Contracts, and Memoranda: Balance House, Ballantine Books, Doubleday & Company (Anchor Books), The Eakins Press, Fortune, Harper's Magazine, Harper's Bazaar, Houghton Mifflin, New York Review of Books, The New York Times, The New Yorker, Time Inc., Vogue]

Walker Evans (d. 1975)

1941–74

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[55 Items of Miscellaneous Professional Correspondence and Solicitation from Various Individuals and Institutions, Including Karen Horney Clinic, Carnegie Corporation, National Institute of Arts and Letters, United States Information Agency, and Others]

Walker Evans (d. 1975)

1938–74

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[56 Items of Correspondence Related to Clubs and Memberships, Including Letters, Notices, Newsletters: The Century Association, The Coffee House, Old Lyme Beach Club]

Walker Evans (d. 1975)

1953–74

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[59 Items of Correspondence from Various Publishers, Publications, and Broadcasting Companies Regarding Requests for Reproduction Rights, Appearances, and Interviews]

Walker Evans (d. 1975)

1959–74

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Sixty-six Items of Correspondence and Ephemera Related to Walker Evans, Including Evans's "Unanswered Letters" File and Posthumous Correspondence]

Walker Evans (d. 1975)

1953–75 · Pencil and ink on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.