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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    31 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    12 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "[170–176 Regent Street, London] and "The"12 records

Institutions answered newest-first by record, interleaved

Neptune with a dolphin by Gian Lorenzo Bernini, The Metropolitan Museum of Art

Neptune with a dolphin

Gian Lorenzo Bernini (d. 1680)

late 17th century or early 18th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
[170–176 Regent Street, London] and "The Talbotype–Sun-Pictures" in The Art-Union, Monthly Journal of the Fine Arts by William Henry Fox Talbot, The Metropolitan Museum of Art

[170–176 Regent Street, London] and "The Talbotype–Sun-Pictures" in The Art-Union, Monthly Journal of the Fine Arts

William Henry Fox Talbot (d. 1877)

June 1, 1846 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Ball gown by an unrecorded maker, The Metropolitan Museum of Art

Ball gown

Unrecorded maker

ca. 1880 · silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Speed

Claude Flight (d. 1955)

ca. 1922; printed 1929 · Color linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 3

Rudolph Ackermann, London (d. 1832)

January–June 1810 · Illustrations: etching, hand-coloring, woodcut and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6

Rudolph Ackermann, London (d. 1832)

July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Binder's Title: Cosmoramas

Robert Burford (d. 1861)

1819–36 · Illustrations: transfer lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Félix Vallotton, Biographie

Julius Meier-Graefe (d. 1935)

1898 · Illustrations: woodcuts and photo-reproductions of woodcuts

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Demolition of St. James's Hall, Interior

Sir Muirhead Bone (d. 1953)

1906 · Drypoint; published state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Regent Street, London

André Derain (d. 1954)

1906 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Speed

Claude Flight (d. 1955)

ca. 1922 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.