Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    154 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 94 matching records exist across the two collections.

Results for "[Arch of Septimus Severus, Rome]"12 records

Institutions answered newest-first by record, interleaved

Arch of Septimius Severus, Rome by Bartolomeo Neroni (Il Riccio), The Metropolitan Museum of Art

Arch of Septimius Severus, Rome

Bartolomeo Neroni (Il Riccio) (d. 1571)

1525–71 · Pen and ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Arch of Septimius Severus, from "Speculum Romanae Magnificentiae" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Arch of Septimius Severus, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century (d. 1600)

1583 · Etching with engraving

Cleared · Public Domain

live
The MetSimilar
Arch of Septimus Severus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Arch of Septimus Severus, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Septimius Severus by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Septimius Severus

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Arch of Septimius Severus, Frontal Elevation (above) and Side View (below) by Jan Goeree, The Metropolitan Museum of Art

Arch of Septimius Severus, Frontal Elevation (above) and Side View (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and brown and black ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below) by Jan Goeree, The Metropolitan Museum of Art

Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray and brown wash, over red chalk, traces of black chalk; incised

Cleared · Public Domain

live
The MetSimilar
[Arch of Septimus Severus, Rome] by Unknown, The Metropolitan Museum of Art

[Arch of Septimus Severus, Rome]

Unknown

1850s · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[Arch of the Argentarii, or, Goldsmith's Gate, Rome] by Unknown, The Metropolitan Museum of Art

[Arch of the Argentarii, or, Goldsmith's Gate, Rome]

Unknown

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of Septimius Severus, in Rome, Plate 18

Jacques Androuet Du Cerceau (d. 1585)

1549 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vüe d'un Arc élevé a l'honneur de Galien sur le mont Esquilin, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Septimus Severus

Giovanni Battista Piranesi (d. 1778)

ca. 1772–1800 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of Septimus Severus

Anonymous, Italian, 18th or early 19th century (d. 1850)

18th or early 19th century · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.