
The Adoration of the Shepherds
Catena (Vincenzo di Biagio) (d. 1531)
probably after 1520 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
392 ms. The Metropolitan Museum of Art, Collection API (Open Access)
378 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 62 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Adoration of the Shepherds
Catena (Vincenzo di Biagio) (d. 1531)
probably after 1520 · Oil on canvas
Cleared · Public Domain
live
Allegory of the Course of Human Life (Choosing Virtue)
Jan van der Straet, called Stradanus (d. 1605)
1570 or before · Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist
Cleared · Public Domain
live
Panel of printed camlet
Unrecorded maker
ca. 1690 · Wool; warp-faced plain weave, printed
Cleared · Public Domain
live
The Stay-Maker
Joseph Haynes (d. 1829)
February 1, 1782 · Etching
Cleared · Public Domain
live
Moonrise
Henri-Joseph Harpignies (d. 1916)
1885 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Alfred Stieglitz Photographing on a Bridge]
Unknown
ca. 1905 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Atget's Work Room with Contact Printing Frames]
Eugène Atget (d. 1927)
ca. 1910 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fête du Trône
Eugène Atget (d. 1927)
1925, printed ca. 1929 · Matte gelatin silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reading at a Table
Pablo Picasso (d. 1973)
1934 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 21
Mark Rothko (d. 1970)
1949 · Oil and acrylic with powdered pigments on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Jerry N. Uelsmann (d. 9999)
1976, printed 1980 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Just what is it that makes today's homes so different?
Richard Hamilton (d. 2011)
1991 · Electrophotographic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.