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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    493 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    514 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 42 matching records exist across the two collections.

Results for "[Bloomingdale's Construction Site with B"12 records

Institutions answered newest-first by record, interleaved

Cup by an unrecorded maker, The Metropolitan Museum of Art

Cup

Unrecorded maker

ca. 900–700 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Cup by an unrecorded maker, The Metropolitan Museum of Art

Cup

Unrecorded maker

ca. 900–700 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Cup with geometric decoration by an unrecorded maker, The Metropolitan Museum of Art

Cup with geometric decoration

Unrecorded maker

ca. 900–700 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Jug by an unrecorded maker, The Metropolitan Museum of Art

Jug

Unrecorded maker

ca. 900–700 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Jug by an unrecorded maker, The Metropolitan Museum of Art

Jug

Unrecorded maker

ca. 900–700 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
One-handled cup by an unrecorded maker, The Metropolitan Museum of Art

One-handled cup

Unrecorded maker

ca. 900–700 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Spouted vessel by an unrecorded maker, The Metropolitan Museum of Art

Spouted vessel

Unrecorded maker

ca. 900–700 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Spouted jar by an unrecorded maker, The Metropolitan Museum of Art

Spouted jar

Unrecorded maker

ca. 9th–7th century BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Necklace with conical beads by Moche artist(s), The Metropolitan Museum of Art

Necklace with conical beads

Moche artist(s)

200-850 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Nose ornament with decapitator by Moche artist(s), The Metropolitan Museum of Art

Nose ornament with decapitator

Moche artist(s)

200–900 CE · Gilded copper, silver, stone

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of the Cathedral of St. John the Divine

Charles Frederick Mielatz (d. 1919)

1909 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Bloomingdale's Construction Site with Billboard, Fifty-Ninth Street, New York City]

Walker Evans (d. 1975)

1929–30 · Film negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.