Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    377 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 64 matching records exist across the two collections.

Results for "[Boy Lying on Ground in Front of House]"12 records

Institutions answered newest-first by record, interleaved

Model of a House by an unrecorded maker, The Metropolitan Museum of Art

Model of a House

Unrecorded maker

ca. 1750–1700 B.C. · Pottery

Cleared · Public Domain

live
The MetSimilar
House model by Nayarit artist(s), The Metropolitan Museum of Art

House model

Nayarit artist(s)

200 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14 by Jan Collaert I, The Metropolitan Museum of Art

New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14

Jan Collaert I (d. 1581)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 10: A peasant woman turned towards the right with a child on her back, a boy lying on the ground behind her in center, two women and a child to left in middleground, a church to right in background, from "Caprice faict par de la Bella" by Stefano della Bella, The Metropolitan Museum of Art

Plate 10: A peasant woman turned towards the right with a child on her back, a boy lying on the ground behind her in center, two women and a child to left in middleground, a church to right in background, from "Caprice faict par de la Bella"

Stefano della Bella (d. 1664)

ca. 1642 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Sphinx with Two Bodies by Wenceslaus Hollar, The Metropolitan Museum of Art

Sphinx with Two Bodies

Wenceslaus Hollar (d. 1677)

1652 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Monument for Sir Joshua Reynolds, from "Carlton House Magazine" by John Saunders, The Metropolitan Museum of Art

Monument for Sir Joshua Reynolds, from "Carlton House Magazine"

John Saunders (d. 1799)

April 2, 1792 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colonne Antonine, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Summer in the Country

Frances Flora Bond Palmer (d. 1876)

1865 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Hook and Ladder Corps: Going to the Front

King & Murphy (d. 1890)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tobogganing on Darktown Hill--An Untimely Move: "Clar de Track."

Currier & Ives (d. 1907)

1890 · Lithograph, printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cocktail dress

House of Balenciaga (d. 9999)

spring/summer 1948 · silk, suede

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Boy Lying on Ground in Front of House]

Ralph Eugene Meatyard (d. 1972)

1960s · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.