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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    195 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "[Bride Holding Flowers Posed in Front of"11 records

Institutions answered newest-first by record, interleaved

Terracotta olpe (jug) by Amasis Painter, The Metropolitan Museum of Art

Terracotta olpe (jug)

Amasis Painter

ca. 520 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
The New Testament, The Book of Common Prayer by Robert Barker, The Metropolitan Museum of Art

The New Testament, The Book of Common Prayer

Robert Barker

ca. 1636 · Silk, bullion, silver, and silver-gilt thread on canvas and satin

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 47: Fishing with Birds, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vase

Wedgwood and Co.

ca. 1780 · Black basalt

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Embroidery Design for a Waistcoat with Garlands of Fruits, Flowers and Leaves

Anonymous, French, 18th century (d. 1800)

ca. 1770–90 · Watercolor and Gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statuette in Ivory, and Objects in Gold and Silver, by Froment-Meurice of Paris

John Alfred Vinter (d. 1905)

ca. 1850–70 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Frieze with a Love Scene

Félix Leblanc (d. 1923)

ca. 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Actress holding up large strands of flowers from Actresses (N335) issued by S. F. Hess & Company to promote Sunlight Long Cut Tobacco

S.F. Hess & Co.

ca. 1880–99 · Photograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman in Summer Kimono

Hashiguchi Goyō (d. 1921)

June 1920 · Woodblock print; ink, color, and mica on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Bride Holding Flowers Posed in Front of Painted Backdrop]

James Van Der Zee (d. 1983)

1924 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bouquets et Frondaisons (Flowers and Foliage), Pl. 2

Emile-Allain Séguy (d. 1951)

ca. 1925 · Pochoir

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.