Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1585 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    376 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 84 matching records exist across the two collections.

Results for "[Canterbury Cathedral, Detail of the Nav"12 records

Institutions answered newest-first by record, interleaved

Martyrdom of Saint Lawrence by an unrecorded maker, The Metropolitan Museum of Art

Martyrdom of Saint Lawrence

Unrecorded maker

ca. 1180 · Pot-metal glass, vitreous paint

Cleared · Public Domain

live
The MetSimilar
Martyrdom of Thomas Becket by an unrecorded maker, The Metropolitan Museum of Art

Martyrdom of Thomas Becket

Unrecorded maker

mid to late 14th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury by an unrecorded maker, The Metropolitan Museum of Art

Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury

Unrecorded maker

1350–1400 · Cast tin-lead alloy

Cleared · Public Domain

live
The MetSimilar
Tracery Arcade from the Great South Window of Canterbury Cathedral by Master Mason Stephen Lote, The Metropolitan Museum of Art

Tracery Arcade from the Great South Window of Canterbury Cathedral

Master Mason Stephen Lote

ca. 1426–1435 · Caen stone

Cleared · Public Domain

live
The MetSimilar
Detail study for the façade of Milan cathedral by Luigi Vanvitelli, The Metropolitan Museum of Art

Detail study for the façade of Milan cathedral

Luigi Vanvitelli (d. 1773)

1700–1773 · Pen and black ink over freehand graphite and compass and ruled construction lines in graphite

Cleared · Public Domain

live
The MetSimilar
Edyve, the good queen and noble mother to Etheltane, Edmund and Eldred, Kinges of England..., from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3 by John Bayly, The Metropolitan Museum of Art

Edyve, the good queen and noble mother to Etheltane, Edmund and Eldred, Kinges of England..., from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3

John Bayly (d. 1782)

1777 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Cathedral at Orléans by William Henry Fox Talbot, The Metropolitan Museum of Art

Cathedral at Orléans

William Henry Fox Talbot (d. 1877)

June 21, 1843 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[South Portal, Chartres Cathedral] by Charles Marville, The Metropolitan Museum of Art

[South Portal, Chartres Cathedral]

Charles Marville (d. 1879)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

12 Perspective Views of the Exterior and Interior Parts of Canterbury Cathedral; 12 Perspective Views of the Cathedral Church of York; An Illustration of the Architecture of the Cathedral Church of Lichfield; An Illustration of the Architecture of the Cathedral Church of Lincoln

Charles Wild (d. 1835)

1807 · Illustrations: aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Canterbury Cathedral, Detail of the Nave from the South]

Benjamin Brecknell Turner (d. 1894)

ca. 1853 · Albumen silver print from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Detail of Vanitas Figures Carved on the Choir Stalls at Amiens Cathedral]

Unknown

1860s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Detail of the Shroud of Turin

Giuseppe Enrie (d. 1961)

May 1931 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.