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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    302 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    557 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 212 matching records exist across the two collections.

Results for "[Construction Site with Cranes and Cable"12 records

Institutions answered newest-first by record, interleaved

[Construction Site] by Louis Lafon, The Metropolitan Museum of Art

[Construction Site]

Louis Lafon (d. 1899)

1880s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Cranes, East 14th Street, New York City]

Walker Evans (d. 1975)

October 1928 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Cranes, East 14th Street, New York City]

Walker Evans (d. 1975)

October 1928 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Cranes, East 14th Street, New York]

Walker Evans (d. 1975)

October 1928 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Crane Boom and Cables, From Below, New York City]

Walker Evans (d. 1975)

1928–29 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[New York Album: Construction Site with Trucks and Cranes]

Berenice Abbott (d. 1991)

1929 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On the Construction Site

Mieczysław Berman (d. 1975)

1929 · Reconstructed collage of halftone prints, ink, and graphite, ca. 1960s

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Crane Boom and Cables, From Below, New York City]

Walker Evans (d. 1975)

1928–30 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Crane Boom and Cables, From Below, New York City]

Walker Evans (d. 1975)

ca. 1929 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Cranes and Cables, New York City]

Walker Evans (d. 1975)

1928–30 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Construction Site with Cranes, New York City]

Walker Evans (d. 1975)

1928–30 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Demolition Site with Cranes and "Lunch" Sign in Foreground, New York City]

Walker Evans (d. 1975)

1930s · Film negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.