
Crystal Palace, Hyde Park, Transept
Benjamin Brecknell Turner (d. 1894)
1852 · Paper negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
317 ms. The Metropolitan Museum of Art, Collection API (Open Access)
425 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 799 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Crystal Palace, Hyde Park, Transept
Benjamin Brecknell Turner (d. 1894)
1852 · Paper negative
Cleared · Public Domain
live
An Interior View of the New York Crystal Palace
Charles Parsons (d. 1910)
1853 · Color lithograph
Cleared · Public Domain
live![[Alhambra and Court of Lions; View in South Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP322147.jpg)
[Alhambra and Court of Lions; View in South Transept]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Façade, Views, and Entrance Loggia of the Renaissance Court] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP323131.jpg)
[Façade, Views, and Entrance Loggia of the Renaissance Court]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Sculptures of Hector, a Dancing Girl, Corinna, and Dorothea] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP323117.jpg)
[Sculptures of Hector, a Dancing Girl, Corinna, and Dorothea]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
live![[The Rochester Doorway; Vestibule, Garden Side of English Medieval Court; Byzantine Court Exterior and Interior] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP323129.jpg)
[The Rochester Doorway; Vestibule, Garden Side of English Medieval Court; Byzantine Court Exterior and Interior]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Two Gentlemen Seated on the Grounds of the Palace; The Palace from the Rosary; Cascades and North End of Palace; General View of Gardens and Fountains] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP322144.jpg)
[Two Gentlemen Seated on the Grounds of the Palace; The Palace from the Rosary; Cascades and North End of Palace; General View of Gardens and Fountains]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
live![[View in Court of Christian Monuments; Views of Greek and Roman Sculpture Court] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP323105.jpg)
[View in Court of Christian Monuments; Views of Greek and Roman Sculpture Court]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Crystal Palace for the Exhibition of the Industry of All Nations
Frances Flora Bond Palmer (d. 1876)
1853 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Crystal Palace for the Exhibition of the Industry of All Nations
Frances Flora Bond Palmer (d. 1876)
1853 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of the New York Crystal Palace, October 5th, 1858, During its Occupation for the Annual Fair of the American Institute
Currier & Ives (d. 1907)
1858 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Crystal Palace, Two Views, Interior and Exterior]
Negretti & Zambra
1850s · Albumen silver print?
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.