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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    451 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,196 matching records exist across the two collections.

Results for "[Detail of Abolitionists from "The Confl"10 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Detail from the Book of Gates, Tomb of Haremhab

Lancelot Crane (d. 1918)

1910–1911; original ca. 1314–1300 BCE · Tempera on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Facsimile Detail from the Book of Gates, Tomb of Haremhab

Lancelot Crane (d. 1918)

1910–1911; original ca. 1314–1300 BCE · Tempera on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Canterbury Cathedral, Detail of the Nave from the South]

Benjamin Brecknell Turner (d. 1894)

ca. 1853 · Albumen silver print from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Miracle of Saint Mark, Detail (from Scrapbook)

John Singer Sargent (d. 1925)

ca. 1873 · Graphite on off-white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Detail of Fresco, from Genesis

Baldassare Aloisi Galanini (d. 1638)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Abolitionists from Interstate News Service History Cards (W612)

Unrecorded maker

1926 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Detail of Abolitionists from "The Conflict Over Slavery" Panel of Diego Rivera's Mural for the New Worker's School, New York City]

Walker Evans (d. 1975)

July–August 1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Detail of Abolitionists from "The Conflict Over Slavery" Panel of Diego Rivera's Mural for the New Worker's School, New York City]

Walker Evans (d. 1975)

July–August 1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Detail of Abolitionists from "The Conflict Over Slavery" Panel of Diego Rivera's Mural for the New Worker's School, New York City]

Walker Evans (d. 1975)

July–August 1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Abolitionists in the Park

Nicole Eisenman (d. 9999)

2020–22 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.