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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    528 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 1,918 matching records exist across the two collections.

Results for "[Entrance to the Port of Boulogne]"11 records

Institutions answered newest-first by record, interleaved

Entrance to a Dutch Port by Willem van de Velde II, The Metropolitan Museum of Art

Entrance to a Dutch Port

Willem van de Velde II (d. 1707)

ca. 1665 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Returning to the Port by Eugène Isabey, The Metropolitan Museum of Art

Returning to the Port

Eugène Isabey (d. 1886)

1833 · Lithograph in black; first state of two

Cleared · Public Domain

live
The MetSimilar
[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art

[Entrance to the Port of Boulogne]

Edouard Baldus (d. 1889)

1855 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Figure 6: The grimice produced is similar to a tic of the face by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Figure 6: The grimice produced is similar to a tic of the face

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The "Kearsarge" at Boulogne by Edouard Manet, The Metropolitan Museum of Art

The "Kearsarge" at Boulogne

Edouard Manet (d. 1883)

1864 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
From the Sports Girls series (N463) for Old Port Plug Tobacco by Old Port Plug Tobacco, The Metropolitan Museum of Art

From the Sports Girls series (N463) for Old Port Plug Tobacco

Old Port Plug Tobacco

ca. 1889 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar
From the Sports Girls series (N463) for Old Port Plug Tobacco by Old Port Plug Tobacco, The Metropolitan Museum of Art

From the Sports Girls series (N463) for Old Port Plug Tobacco

Old Port Plug Tobacco

ca. 1889 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Port de Boulogne

Unknown

1850–53 · Salted paper print (Blanquart-Évrard process) from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Bois de Boulogne"

Paul Poiret (d. 1944)

1919 · a–c) silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance to Boulogne

Pierre Gatier (d. 1944)

1944 · Ink and watercolor on paper

In copyright

live
The MetSimilar

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