
Cameo of Hercules set in ring
Unrecorded maker
cameo: probably late 18th century · 18k gold, chalcedony cameo
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2217 ms. The Metropolitan Museum of Art, Collection API (Open Access)
456 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 49 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cameo of Hercules set in ring
Unrecorded maker
cameo: probably late 18th century · 18k gold, chalcedony cameo
Cleared · Public Domain
live
United States Branch Bank, Wall Street
Charles W. Burton (d. 1849)
1831 · Watercolor and graphite on off-white wove paper
Cleared · Public Domain
live
Church of the Saviour (First Unitarian Congregational), Brooklyn
Ezra Bisbee (d. 1856)
1845 · Hand colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pier Table
Duncan Phyfe (d. 1854)
1815–16 · Mahogany, mahogany veneer, white pine, yellow poplar; marble; silvered plate-glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Three 35mm Film Frames: "Bartlett House" Hotel Façade Detail, Ghent, New York; Brick Greek Revival House, Claverack, New York; Oblique View of Brick House From Road, Claverack, New York]
Walker Evans (d. 1975)
1933–34 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Façade Detail of Large Greek Revival Building, Convent, Louisiana]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Façade of Large Greek Revival Building with Lawn Bench in Foreground, Convent, Louisiana]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Façade of Large Greek Revival Building with Lawn Bench in Foreground, Convent, Louisiana]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Greek Revival House with Full-Façade Porch, Mobile, Alabama]
Walker Evans (d. 1975)
1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Façade Detail of Greek Revival Building with Equestrian Relief Sculpture, for Fortune Portfolio: "Chicago: A Camera Exploration"]
Walker Evans (d. 1975)
1946 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
LA-C 20
James Welling (d. 9999)
1977, printed 2000 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Mimmo Paladino (d. 9999)
1985 · Limestone, iron, encaustic, and paint
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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