
Our Lady of Mercy, called “The Pilgrim of Quito”
Unknown
ca. 1730–40 · Oil and gold on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
258 ms. The Metropolitan Museum of Art, Collection API (Open Access)
355 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 52 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Our Lady of Mercy, called “The Pilgrim of Quito”
Unknown
ca. 1730–40 · Oil and gold on canvas
Cleared · Public Domain
live
Inuit Manner of Dress
Jean-Baptiste Le Prince (d. 1781)
1769 · Pen and black ink, brush and gray wash, over black chalk, with additions in graphite
Cleared · Public Domain
live
The Russian Concert (Le Concert Russien)
René Gaillard (d. 1790)
ca. 1768 · Engraving
Cleared · Public Domain
live![[Three Portraits in Original Exhibition Frame] by Louis-Adolphe Humbert de Molard, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-33590-001.jpg)
[Three Portraits in Original Exhibition Frame]
Louis-Adolphe Humbert de Molard (d. 1874)
1850 · Salted paper print
Cleared · Public Domain
live
Preparing for Christmas (Plucking Turkeys)
Francis William Edmonds (d. 1863)
1851 · Oil on canvas
Cleared · Public Domain
live
Shelling Beans, Argentelle
Louis-Adolphe Humbert de Molard (d. 1874)
1851 · Salted paper print from paper negative
Cleared · Public Domain
live
The New Boy, from "Illustrated London News"
George Smith (d. 1901)
August 13, 1859 · Wood engraving
Cleared · Public Domain
live
Woman lost in thought beneath a wutong tree
Sha Fu (d. 1906)
late 19th or early 20th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
See-Saw
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Twilight Hour – "When the Kye Come Home"
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Genre Scene: Four Russian Workers Moving Furniture in a Horse-Drawn Cart]
William Carrick (d. 1878)
ca. 1870 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Genre Scene: Russian Worker Leaning on Two-wheeled Cart]
William Carrick (d. 1878)
ca. 1870 · Albumen silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.