Relief fragment with graffiti of two humans and animal heads
Unrecorded maker
ca. late 6th century BCE · Limestone
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
281 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
378 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 385 matching records exist across the two collections.
Results for "[Graffiti: Chalk Drawing of Three Animal"12 records
Institutions answered newest-first by record, interleaved
Three Parrots
Nicolas Robert (d. 1685)
ca. 1675 · Red chalk
Cleared · Public Domain
liveThe MetSimilar
Animal Studies
Nicolaes Berchem (d. 1683)
mid–late 17th century · Red chalk
Cleared · Public Domain
liveThe MetSimilar
Head of a Young Man in Three-Quarter View
Giovanni Battista Tiepolo (d. 1770)
18th century · Red chalk, highlighted with white chalk, on blue-gray paper
Cleared · Public Domain
liveThe MetSimilar
A full size écorché study of a hound
Charles Landseer (d. 1879)
1821 · Black, red and white chalk
Cleared · Public Domain
liveThe MetSimilar
Study of a dog
Sir Edwin Henry Landseer (d. 1873)
1820–73 · Black chalk heightened with white and red chalk
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Actors
Jan Miel (d. 1664)
n.d. · Black chalk
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Five 35mm Film Frames: Graffiti on Wall, Man and Boxes in Front of Graffiti-Covered Wall, Chalk Drawing, New York City]
Walker Evans (d. 1975)
November–December 1937 · Film negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York
Helen Levitt (d. 2009)
1939 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Graffiti: Chalk Drawing of Figure with Double Pupils, New York City]
Helen Levitt (d. 2009)
ca. 1940 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Graffiti: Chalk Drawing of Three Animal Forms on Sidewalk, New York City]
Helen Levitt (d. 2009)
ca. 1940 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Graffiti: Chalk Drawing of Woman with Curly Hair on Boarded-Up Window in Brick Wall, New York City]
Helen Levitt (d. 2009)
ca. 1940 · Gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.