
Terracotta female figure in three-legged chair
Unrecorded maker
13th century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
7138 ms. The Metropolitan Museum of Art, Collection API (Open Access)
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 755 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta female figure in three-legged chair
Unrecorded maker
13th century BCE · Terracotta
Cleared · Public Domain
live
Terracotta column-krater (bowl for mixing wine and water)
Group of Boston 00.348
ca. 360–350 BCE · Terracotta
Cleared · Public Domain
live
Gentleman Seated in an Armchair
Charles de la Fosse (d. 1716)
late 17th century–early 18th century · Red, black, and white chalk, on beige paper
Cleared · Public Domain
live
Central Park, New York, Preparing for a Drive
George Schlegel, New York (d. 1957)
1873 · Hand-colored lithograph with painted black border
Cleared · Public Domain
live
Édouard Manet, Seated, Turned to the Left
Edgar Degas (d. 1917)
ca. 1868 · Etching; first state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Early Morning, Richmond Park
Sir Francis Seymour Haden (d. 1910)
1859 · Etching; early trial (Harrington); first state of three (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A River in Werrington Park
Sir Francis Seymour Haden (d. 1910)
1868 · Etching; first (final) state (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Woodcote Park
Sir Francis Seymour Haden (d. 1910)
1901 · Drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Night in the Park
Edward Hopper (d. 1967)
1921 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Repetitive Pattern with a Soldier Sitting on a Fountain in Front of a Park
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group Seated on Chairs in Park, for Fortune Portfolio: "Chicago: A Camera Exploration"]
Walker Evans (d. 1975)
1946 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jwago
Kyung Suk Park
20th century · Wood, canvas, metal, hide
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.