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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    930 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 83 matching records exist across the two collections.

Results for "[Group of Ephemeral Items from the Archi"12 records

Institutions answered newest-first by record, interleaved

Objects from Theban Tomb MMA 840 by an unrecorded maker, The Metropolitan Museum of Art

Objects from Theban Tomb MMA 840

Unrecorded maker

ca. 1850–1700 B.C. · Electrum, carnelian, amethyst, lapis lazuli, turquoise

Cleared · Public Domain

live
The MetSimilar
Pendant of Horus wearing the double crown by an unrecorded maker, The Metropolitan Museum of Art

Pendant of Horus wearing the double crown

Unrecorded maker

ca. 1850–1700 BCE · Electrum over plaster

Cleared · Public Domain

live
The MetSimilar
Plate 1: four street vendors from Madrid selling blueberries, onions, tea, and baskets, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 1: four street vendors from Madrid selling blueberries, onions, tea, and baskets, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Plate 2: four street vendors from Madrid selling garlic and onions, cucumbers, fine crockery, oil, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 2: four street vendors from Madrid selling garlic and onions, cucumbers, fine crockery, oil, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Beads of the Type Strung with Bracelet 13.180.16a

Unrecorded maker

ca. 1850–1700 B.C. · Carnelian, lapis lazuli

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Beads of the Type Used in 13.180.16a

Unrecorded maker

ca. 1850–1700 B.C. · Faience, carnelian

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spacer Bar from Bracelet

Unrecorded maker

ca. 1850–1700 B.C. · Electrum

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spacer Bar from Bracelet

Unrecorded maker

ca. 1850–1700 B.C. · Electrum

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spacer Bar from Bracelet

Unrecorded maker

ca. 1850–1700 B.C. · Electrum

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Costume or Figure Studies

Pierre Paul Sevin (d. 1710)

17th century · Pen and ink with wash on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Studio Portrait of Two Women, Each Balancing Items on Their Heads, Brazil]

Unknown

1861–62 · Salted paper print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Group of Ephemeral Items from the Archives of the French Medium Henri Mathouillot]

Henri Mathouillot Archive

1920–38

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.