
Bastet holding aegis and basket
Unrecorded maker
664–30 BCE · Cupreous metal
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
365 ms. The Metropolitan Museum of Art, Collection API (Open Access)
290 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,778 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bastet holding aegis and basket
Unrecorded maker
664–30 BCE · Cupreous metal
Cleared · Public Domain
live
Limestone hand holding a pomegranate
Unrecorded maker
100 · Limestone
Cleared · Public Domain
live
Figure Holding Child
Unrecorded maker
4th–7th century · Ceramic
Cleared · Public Domain
live
Hand with beaker
Inca artist(s)
1400–1535 CE · Ceramic, slip
Cleared · Public Domain
live
Prince Holding a Falcon
Unrecorded maker
ca 1820 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief Fragment with a Male Hand Grasping a Staff or Scepter
Unrecorded maker
ca. 1961–1917 B.C. · Limestone, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hand-Colored Etching with Designs for Jewelry
Chazal Jeune (d. 1900)
ca. 1820–50 · Hand-Colored Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Four-in-Hand"
John Cameron (d. 1896)
1887 · Lithograph printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robes Modeles Historiques, Marmiton
M. Robin (d. 1850)
19th century · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's theatrical costume with matching gray jacket and shorts, red waistcoat and hat
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in a harlequin costume holding a mask
Sergey Sudeykin (d. 1946)
first half 20th century · Brush and black ink, gouache, watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Hand Holding Red Bandana]
Bobbi Carrey (d. 9999)
1974 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.