
Jar
Teotihuacan artist(s)
350–550 CE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
373 ms. The Metropolitan Museum of Art, Collection API (Open Access)
271 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Jar
Teotihuacan artist(s)
350–550 CE · Ceramic
Cleared · Public Domain
live
Cup with Cover
R W
1590–91 · Mother-of-pearl, with gilded silver mounts
Cleared · Public Domain
live
Room from the Powel House, Philadelphia
Unrecorded maker
1765–66, remodeled 1769–71 · Wood and plaster
Cleared · Public Domain
live
Armor (<i>Gusoku</i>)
Bamen Tomotsugu (d. 1800)
18th century · Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory
Cleared · Public Domain
live
The Government House, New York
Charles Currier (d. 1887)
1850–65 · Lithograph, printed in color with tint stone and hand-coloring in green watercolor; third state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Government House, New York
Henry R. Robinson (d. 1850)
ca. 1847 · Lithograph, printed in color with tint stone, and hand-colored with green watercolor; second state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Government House, New York
Charles Cotton Milbourne (d. 1840)
ca. 1847–60 · Lithograph, printed in color with tint stone; a copy of the first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Government House, New York
Charles Currier (d. 1887)
ca. 1850–65 · Lithograph, printed in color with tint stone; third state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[IRT Construction, Bowling Green, New York City]
Granville Whittlesey Pullis (d. 9999)
1905 · Cyanotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lyautey Unit Blocks (Play)
Yto Barrada (d. 9999)
2010 · Wood and paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
NoNoseKnows (50 Kilos variant)
Mika Rottenberg (d. 9999)
2015 · Single-channel digital video, color, sound, 22 min., commercial woven polypropylene bag, and 50 kilos cultured pearls
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Looking West Again
Frank Bowling (d. 9999)
2020 · Acrylic, acrylic gel and found objects on cotton canvas with marouflage
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.