
A Dance in the Country
Giovanni Domenico Tiepolo (d. 1804)
ca. 1755 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
753 ms. The Metropolitan Museum of Art, Collection API (Open Access)
446 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 130 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Dance in the Country
Giovanni Domenico Tiepolo (d. 1804)
ca. 1755 · Oil on canvas
Cleared · Public Domain
live
Side Chair
Unrecorded maker
1785–95 · Mahogany, yellow pine, white pine
Cleared · Public Domain
live
Chair Model
Unrecorded maker
1770–1800 · Wood
Cleared · Public Domain
live
All Fours
Thomas Rowlandson (d. 1827)
first published March 14, 1783 [a later reissue?] · Hand-colored etching and engraving
Cleared · Public Domain
live
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
Goya (Francisco de Goya y Lucientes) (d. 1828)
1816 · Etching, burnished aquatint, drypoint
Cleared · Public Domain
live
Drawing Room at Hatton, Warwickshire
Granddaughters of Dr. Samuel Parr (d. 1830)
1820–30 · Watercolor
Cleared · Public Domain
live
Rocking Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”) (d. 9999)
1820–50 · Maple, birch
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Artist's Sons, Pierre and Balthus as Adolescents
Baladine Klossowski (d. 1969)
ca. 1921 · Watercolor and gouache on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
XVII Century Room, American Wing, Metropolitan Museum of Art
Frederick Theodore Weber (d. 1956)
ca. 1928 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Electric Chair
Andy Warhol (d. 1987)
1971 · Screenprint from a portfolio of ten
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Clothes Draped on Armchair]
Walker Evans (d. 1975)
1973–74 · Instant internal dye diffusion transfer print (Polaroid SX-70)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Ladder-Backed Chair (No Flash)]
Walker Evans (d. 1975)
1973–74 · Instant internal dye diffusion transfer print (Polaroid SX-70)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.