
Marble male figure
Unrecorded maker
2400–2300 BCE or later · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
570 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 610 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Marble male figure
Unrecorded maker
2400–2300 BCE or later · Marble
Cleared · Public Domain
live
Male and Female Attendants
Unrecorded maker
ca. 1347–1330 BCE · Limestone, paint
Cleared · Public Domain
live
Head of a male or female figure
Unrecorded maker
ca. 9th–8th century BCE · Ivory, Egyptian Blue
Cleared · Public Domain
live
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
Agostino Carracci (d. 1602)
1600–02 · Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)
Cleared · Public Domain
live
Standing Male and Female Figures
Unrecorded maker
18th–19th century · Wood, beads
Cleared · Public Domain
live
A male and female skeleton talking (vignette for the feast of the dead)
José Guadalupe Posada (d. 1913)
ca. 1890–1910 · Type-metal engraving
Cleared · Public Domain
live
Male and female skeleton talking (vignette for the feast of the dead)
José Guadalupe Posada (d. 1913)
ca. 1890–1910 · Type-metal engraving
Cleared · Public Domain
live
A male and a female figures (study for 'Golgotha')
Otto Greiner (d. 1916)
late 19th–early 20th century · Coloured chalks
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Lobby Card for "Male and Female"]
Unknown
1919 · Lithograph with applied color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male and female kike figure pair
Mambila artist
early 20th century · Raffia palm pith, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Male and Female Pedestrian, Detroit (for Fortune Magazine Article "Labor Anonymous")]
Walker Evans (d. 1975)
1946 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Female figure
Sakalava artist
19th–mid-20th century · Wood, patina stain
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.