Female figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
282 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 36 matching records exist across the two collections.
Results for "[Male Pedestrian in Cap and Overalls, De"12 records
Institutions answered newest-first by record, interleaved
Male figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
liveThe MetSimilar
Smiling figure (Sonriente)
South central Veracruz artist(s)
600–1000 CE · Ceramic, slip, paint
Cleared · Public Domain
liveThe MetSimilar
Male Figurine
Unrecorded maker
1400–1533 · Silver
Cleared · Public Domain
liveThe MetSimilar
Miniature male effigy
Inca artist(s)
1400–1535 CE · Gold-silver alloy
Cleared · Public Domain
liveThe MetSimilar
Figure pendant
Tairona artist(s)
900–1600 CE · Gold
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ciuis Cliuensis ornatu eximio; Faemina cliuensis ornatus, quo solemnibus ferijs vti solet; Palla mulieris in Cliuia ad forum cuntis; Virgo Cliuensis solenni ornatu.
Abraham de Bruyn (d. 1587)
1580 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegorical Figures of France and Fame Honoring a Bust of Benjamin Franklin
Jean Michel Moreau le Jeune (d. 1814)
1787(?) · Graphite or black chalk on cream laid paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Hunt--The Meet: "Keep you tempers Ladies de one dat gits tother end fust gits de Brush"
Currier & Ives (d. 1907)
1892 · Hand-colored lithograph, with gum arabic
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Male Pedestrian in Cap and Dark Jacket, Detroit (for Fortune Magazine Article "Labor Anonymous")]
Walker Evans (d. 1975)
1946 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Male Pedestrian in Cap and Overalls, Detroit (for Fortune Magazine Article "Labor Anonymous")]
Walker Evans (d. 1975)
1946 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prestige Cap (Laket mishiing)
Unrecorded maker
20th century (?) · Raffia fiber, beads, shells
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.