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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    173 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "[Male Pedestrian in Short Sleeves, Looki"11 records

Institutions answered newest-first by record, interleaved

Relief fragment by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment

Unrecorded maker

ca. early 1st millennium BCE · Basalt

Cleared · Public Domain

live
The MetSimilar
Furniture plaque with figure in relief by an unrecorded maker, The Metropolitan Museum of Art

Furniture plaque with figure in relief

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Ensemble by an unrecorded maker, The Metropolitan Museum of Art

Ensemble

Unrecorded maker

ca. 1790 · a) silk; b,c) silk, linen

Cleared · Public Domain

live
The MetSimilar
Calligraphy Practice (Tenarai) by Ikeda Shōen, The Metropolitan Museum of Art

Calligraphy Practice (Tenarai)

Ikeda Shōen (d. 1917)

1909 · Two-panel screen; ink, color, and gold on silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ciuis Cliuensis ornatu eximio; Faemina cliuensis ornatus, quo solemnibus ferijs vti solet; Palla mulieris in Cliuia ad forum cuntis; Virgo Cliuensis solenni ornatu.

Abraham de Bruyn (d. 1587)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Incroyable: Chevelure à la Charles 12, Culotte Vert d’Eau, Bas à Mailles Coulées

Horace Vernet (d. 1863)

1814 · Hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Incroyable: Cravate à Oreilles de Lièvre, Habit Vert Saule, Culotte de Casimir

Horace Vernet (d. 1863)

1814 · Hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Man's theatrical costume for "At Home Abroad"

Vincente Minnelli (d. 1986)

1935 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Male Pedestrian in Short Sleeve Shirt, Looking Down, Detroit (for Fortune Magazine Article "Labor Anonymous")]

Walker Evans (d. 1975)

1946 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Male Pedestrian in Short Sleeves, Looking at Camera, Detroit (for Fortune Magazine Article "Labor Anonymous")]

Walker Evans (d. 1975)

1946 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume designs for an 'incroyable' and a 'merveilleuse' dancers

Paul Boye-Sørensen

first half 20th century · Pen and black ink, watercolor, black ink framing lines with traces of graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.