
Head of a Bearded Man, Looking up to the Right
Bartolomeo Schedoni (d. 1615)
ca. 1595–1615 · Black chalk and white chalk, on blue paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
227 ms. The Metropolitan Museum of Art, Collection API (Open Access)
346 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23,799 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Head of a Bearded Man, Looking up to the Right
Bartolomeo Schedoni (d. 1615)
ca. 1595–1615 · Black chalk and white chalk, on blue paper
Cleared · Public Domain
live
Side Panel from the Coffin of Amenemope
Unrecorded maker
c. 976–889 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
live
Bearded Man Looking Down to the Left
Giovanni Battista Tiepolo (d. 1770)
ca. 1760 · Pen and brown ink, gray wash
Cleared · Public Domain
live
Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)
Unrecorded maker
c. 1710 · Painting, Gum tempera and gold on paper
Cleared · CC0
live
Profile of a man looking to the right
José Guadalupe Posada (d. 1913)
ca. 1880–1910 (a later impression) · Type-metal engraving
Cleared · Public Domain
live
Teacup from Tea Set with Chinese Landscape
Seifū Yohei III (d. 1914)
c. 1893–1914 · Ceramic, Porcelain with underglaze blue
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young woman with side curls looking downwards to left
Wenceslaus Hollar (d. 1677)
ca. 1646 · Etching; only state
In copyright
live
Game of Backgammon
David Teniers (d. 1690)
1640s · Painting, oil on wood, transferred to canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a man looking to the right, an oval composition
Anonymous, Italian, 17th century (d. 1700)
ca. 1650–1700 · Etching
In copyright
live
The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a man looking upward to the left
Anonymous, Italian, 17th century (d. 1700)
ca. 1650–1700 · Etching and engraving
In copyright
live
Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso)
Unrecorded maker
c. 1710 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.