
Bronze ring
Unrecorded maker
late 5th–4th century BCE · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
925 ms. The Metropolitan Museum of Art, Collection API (Open Access)
536 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 446 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bronze ring
Unrecorded maker
late 5th–4th century BCE · Bronze
Cleared · Public Domain
live
Glass bowl fragments with cut decoration
Unrecorded maker
ca. 330–380 CE · Glass
Cleared · Public Domain
live
Rock Crystal Flask with Cross
Unrecorded maker
10th–12th century · Rock Crystal
Cleared · Public Domain
live
Landscape with a brick factory in the middle ground, a standing man in the foreground points to the left as he faces a man lying on a rock
Giovanni Francesco Grimaldi (d. 1680)
1626–80 · Etching
Cleared · Public Domain
live
Two Figures: Nude Youth on One Knee, Man Standing with Left Foot Raised
Ercole Procaccini The Younger (d. 1680)
17th century · Red chalk, pen and brown ink on cream paper
Cleared · Public Domain
live![[Studio Portrait: Man Standing with Swollen Leg and Foot Caused by Elephantiasis, Brazil] by Christiano Junior, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-113.jpg)
[Studio Portrait: Man Standing with Swollen Leg and Foot Caused by Elephantiasis, Brazil]
Christiano Junior (d. 1902)
1864–66 · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An old man seated on a rock with two men dressed standing behind him, from "Figurine"
Salvator Rosa (d. 1673)
ca.1656–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Patéres, plate 54 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Standing with Foot on Rock, Facing Left, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Standing with Foot on Rock, Facing Right, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.